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From Wikipedia, the free encyclopedia
| Đorđe Balašević | |
|---|---|
Đorđe Balašević performing live in Virovitica in2004 | |
| Born | 11 May 1953 ) Novi Sad, SR Serbia, SFR Yugoslavia |
| Origin | Novi Sad, Serbia (formerly Yugoslavia) |
| Genres | Acoustic rock Rock Chanson Folk rock |
| Occupations | Singer, songwriter |
| Instruments | Vocals, guitar |
| Years active | 1977 – present |
| Labels | ZKPRTLJ, Jugoton, PGP RTB, Diskoton, UFA Media, Hi-FiCentar, Salayka |
| Associated acts | Žetva, Rani Mraz, BiljaKrstić |
Đorđe Balašević (Serbian Cyrillic:Ђорђе Балашевић, born May 11, 1953 in Novi Sad, Serbia, then Yugoslavia) is a prominent Serbiansinger-songwriter.
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Earlybiography
Balašević was born to a Serbian father, Jovan Balašević, and to VeronikaDolenec, half Hungarian, half Croatian from a village nearKoprivnica, Croatia. He has a sister,Jasna. His grandfather's surname was Balašev, but in 1941 thegrandfather changed it to Balašević in order to avoid magyarization.
The younger Balašević grew up in Jovana Cvijića street in NoviSad, in the same house where he currently lives with his threechildren and his wife Olivera (born Savić in Zrenjanin on April 29, 1959)[2]. He startedwriting poetry in primary school. He left high school in thethird year (because, in his words, he hated subjects like mathematics, physics and chemistry) but managed toget a high school diploma as part-time student and passed thepreliminary exam for the university study of geography. He never graduated from theuniversity, but instead joined the band Žetva ('Harvest') in1977.
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Musicalcareer
Žetvaand Rani Mraz
After Balašević joined the group, Žetva recorded a tango hit single 'Urazdeljak te ljubim', which was sold in more than 180,000 copies, ahuge success by Yugoslav standards. Another song from that period'Gospojice ala ste mi šik' was less successful, although itslyrics, similarly like in the hit single 'U razdeljak te ljubim',also played with the Austro-Hungariancultural legacy of his native Vojvodina.
In 1978 he left Žetva and together with Verica Todorović formedband Rani Mraz ('EarlyFrost'). The band had its début at music festival Opatija '78 withthe song 'Moja prva ljubav' ('My First Love'). The same year formerSuncokret members Biljana Krstić and BoraĐorđević joined the band, and together they recorded 'Računajtena nas' ('Count on Us') (written by Balašević), a song celebratingthe young generation's adoption of the communist revolution. The song became popularwith both the communist authorities and the people, making it akind of an anthem for generations to come.
After just few months of cooperation, Verica Todorović and BoraĐorđević left the band (Đorđević forming his famous hard rock band Riblja Čorba),so Biljana Krstić and Balašević recorded Rani Mraz's first album Mojoj mami umestomaturske slike u izlogu ('To my Mother instead of PromPhoto in the Shop-Window') on their own.
At the Split '79. music festival Balašević won the first prizewith the single 'Panonski mornar' ('Pannonian Sailor'). A fewmonths later he sold out Belgrade's Dom Sindikata Hall eight times in arow and a new star was born. In 1980 he served in the Yugoslav army in Zagreb and Požarevac where he hada role in the TV show Vojnici, but also found time towrite song 'Zbog tebe' for Zdravko Čolić and lyrics for severalsongs recorded on Srebrna Krila album Sreo sam ljubaviz prve pjesme.
By the end of 1980 Rani Mraz released their second and finalalbum with a symbolic title Odlazi cirkus ('The Circus IsLeaving') and the band dissolved shortly afterwards. The albumreaffirmed Balašević's status and delivered some unforgettablesongs, one of them being 'Priča o Vasi Ladačkom' ('Story of VasaLadački') which went on to become one of Balašević's signaturesongs.
Solocareer
Early solocareer
He started his solo career in 1982 with the album Pub ('Jack')which was well received. Shortly after he had a role in TV seriesPop Ćira i pop Spira recorded after Stevan Sremac'snovel of the same title. In the following 1982 / 1983 tour he soldout Belgrade's Sava Center hall for the first time. HisSava Center concerts would become his trademark in years to follow.The next two albums Celovečernji TheKid ('Wholeevening The Kid'), released in 1983 and 003, released in1985 followed the same path of success and Balašević establishedhimself as respectable singer-songwriter.
Late1980s
The next blue album, Bezdan ('Abyss'), released in 1986,was a milestone in hiscareer. The record was produced by Đorđe Petrović and arrangement was done byAleksandar Dujin. Those two would be the key associates ofBalašević for the next 20 years and substantially influence hiswork. They became the backbone of Balašević supporting band TheUnfuckables (although this is just a nickname, as he performs underhis own name and the support band is never billed) and part of hisstage appearance.
The next album was his first live album U tvojimmolitvama - Balade ('In Your Prayers - Ballads'). Thealbum was recorded on his concerts in Zetra hall in Sarajevo, Ledena dvorana andŠalata in Zagreb, Sava Centar in Belgrade and Studio M in Novi Sadin 1986 and 1987. Apart from his well-known previous songs, thealbum featured a previously unrecorded track 'Samo da rata ne bude'('Just Let There be no War'). The song features a large children'schoir which, together withlyrics warning about the war (which indeed will start three yearslater), delivers a hymn of pacifists throughout then still existing SFR Yugoslavia.
The same sensation of imminent disaster predominates his nextalbum Panta Rei released in 1988. Thesong 'Requiem' was dedicated to late Josip Broz Tito, while satire 'Soliter' caricaturesYugoslavia as a high-rise in which only façadestill holds while foundations slide. The atmosphere of the album isdark and bitter.
Guitarist Elvis Stanić takes part in recording of album Triposleratna druga ('Three Afterwar Friends') in 1989. JosipKiki Kovač joined The Unfuckables on album Marim ja.. ('IDon't Care..') released in 1991.
War yearsand after
As the wars of Yugoslav dissolution began,Balašević withdrew to isolation. He was forced to stopcollaborating with Croatian artists such as Elvis Stanić andhis tempo of one album per year was disrupted. His next albumJedan od onih života ('One of Those Lives') released in1993 featured songs such as 'Krivi smo mi' ('It's Our Fault') and'Čovek sa mesecom u očima' ('The Man with Moonlight in the Eyes')which heavily criticised and denounced the ongoing war.
After a long pause, he issued Naposletku ('After all')in 1996. The change in sentiment was obvious and would be more orless prevalent on all of his albums up to date (as of 2005).Naposletku was mostly folk rock-oriented. Nearly all instruments onthis album are acoustic, the violin becomes dominant and woodwindinstruments are heavily used.
During the 1990s Balašević engaged in broad criticism of thecurrent political situation in Serbia, Slobodan Milošević and Socialist Party of Serbia.Devedesete ('Nineties'), released in 2000, was his mostpolitically involved album. Balašević openly made fun of Miloševićwith the song 'Legenda o Gedi Gluperdi' ('Legend of Geda theStupid'), criticized police officers who defended the corruptsystem by confronting demonstrating youth in 'Plavabalada' ('The Blue Ballad'), looked back to the 1990s with disgustin the title song 'Devedesete', supplied young demonstrators withan anthem 'Živeti slobodno'('To Live Freely'), reaching out to his lost friends in Croatia and Bosnia with 'Stih na asfaltu'('A Verse on the Asphalt') and 'Sevdalinka', but still preservingpatriotism with 'Dokgori nebo nad Novim Sadom' ('While the Sky over Novi Sad isBurning'), a song about the 1999 NATO bombing of NoviSad. This album clearly marked the atmosphere in Serbia in theyear when Slobodan Milošević lostpower.
After this open engagement in politics, he returned to romance.The album Dnevnik starog momka ('Diary of an OldBachelor') released in 2001 comprises 12 songs, each having afemale name as its title, and each addressing a different girl.Balašević repeatedly stated that the girls and songs are purefiction, and the song titles form the acrostic 'Olja je najbolja' ('Olja is theBest'), Olja being the nickname of his wife Olivera Balašević.
His latest album Rani mraz released in 2004 follows thefolk rock style developed on Naposletku.
Music
Songs of Đorđe Balašević can be divided into 3 groups:
- Emotional songs (love songs and songs filled withnostalgia)
- Politically engaged songs
- Humoristic songs
Songs that have more than one of these characteristics are quiterare, so his songs form three quite disjoint sets.
Tamil kama anubavam blockspot stories. Songs of the first group are marked by nostalgia and are saturated in gentle moods.He was influenced by poets such as his native Mika Antić andsongwriter ArsenDedić, the indebtedness to the latter being credited openly andacknowledged by Balašević himself ('I am an Arsen-addict'). Theseare the songs for which he is most famous, and which take up thebest part of his concert repertoire.
His politically engaged songs deliver the message of pacifism and tolerance, so heis often 'accused' of yugonostalgia. Balašević was against theYugoslav wars and was often accused ofbeing pro-Croatian and pro-Bosnian, causing even threats from thegovernment; this caused him to stop writing and performing almostcompletely in the 1990s.
Concerts
His concerts are known tolast for more than four hours at a time, are almost always soldout, and his fans are extremely faithful to his work andhis performances.
Apart from his very large opusand loyal fans, he has a custom of making long pauses between songsand commenting on current events. Therefore his concerts are moreof a cabaret than pop concerts in the commonsense of the word.
His first concert in Zagrebafter the war (in Ledena dvorana hall, capacity 10,000 people) onDecember 13, 2002, was sold out three months in advance, so anotherone had to be scheduled for the next day. That one was also soldout, an achievement rarely seen in Zagreb.
His traditional NewYear's concerts in 'Sava Center' hall in Belgrade (capacity3,672 seats) are traditionally sold out too. He sold out 'SavaCenter' for the first time in the 1982/1983 season[1],started his regular New Year's concerts in 1986[3] and in the 1990sand 2000s he was performing up to 11 evenings in a row (4 concertsin a row in 1993/1994[4], 10 in1996/1997[5], 9 in1997/1998[6], 7 in1998/1999[7], 11 in2001/2002)
Fans
During the rise of the Internet in the 1990s, Balašević fansformed two Internet fanclubs named Oaza and (ne)normalni balaševićevci. The latter club wentso far to form a tribute band called (Ne)normalni bend [8] which at first played at meetings of clubmembers, but as of 2006 tours Serbia and sometimes other countriesplaying Balašević's songs.
He has a particularly large group of fans in parts of former Yugoslavia other than Serbia, so hefrequently tours Slovenia and Croatia. Although there is a numberof his older fans who were 'infected' during 1980s, most of hisfans are 'younger than some of his songs' as he likes to say andwere recruited during the war. During war years he was not welcomein Croatia because of his Serbian descent and residence, but hisconcerts in the Slovenian cities of Ljubljana and Maribor were attended by large groups of(mostly younger) Croatians, who often outnumberedSlovenians. His war-time concerts (like the one on April 2, 2000,in Budapest were attendedby both Croats and Serbs from all parts of each of the twocountries[9]).
At that time, a small group of people from Split (callingthemselves Optimists) became famous for traveling large distancesto attend his concerts as he couldn't perform in their town. Theybecame a symbol for the devotion of Balašević's fans. Balaševićfinally performed in Split on December 16, 2004.
Politics
Since one of his first songs 'Računajte na nas', Balašević hasbeen politically involved. Together with another early single 'Triput sam video Tita' ('I Saw Tito Three Times'), these songs summedup his early political position: pan-southslavic, patriotism and Titoism, although he sometimes confronted withhard line conservatives for playing rock music which was perceivedas western influence.
During the second half of the 1980s, new feelings started toemerge from his songs. Bitterness and depression (culminating inthe songs '1987' and 'Samo da rata ne bude' released in 1987 andwith the album Panta Rei released in 1989) were messengersof the bloody breakup of Yugoslavia which ensued in the first halfof the 1990s. His songs and stage speeches began showingdisillusionment and sadness over the fact that bloodshed waspossible in the Yugoslavia he once admired. He summed up thatoverall feeling in a sentence of his book Tri posleratnadruga: 'While we were growing up, the biggest insult for uswas when dark emigrant forces called our homeland an unnatural,artificial creation. When we grew up, the biggest insult for us waswhen we realised that was true.' He openly criticized the negativeand destructive aspects produced by the changes in the politicaland economic systems, and the Serbian, Croatian and Slovene nationalism.
In the ensuing war years, Balašević had some serious problemswith the regime of Slobodan Milošević because herefused to join the army and openly stated his opposition to theregime. At his concerts he often criticized and made fun ofMilošević and other Serbian politicians. The pressure on himescalated after 1999 NATO bombing of the Federal Republic ofYugoslavia, when his family fled to Maribor, Slovenia, but heremained in their family house in Novi Sad so that he could not beaccused of fleeing the city in the times of trouble.
In 2000, he took part in demonstrations during and following thedownfall of Slobodan Milošević.
In 1996, he became the UNHCRGoodwill Ambassador for his antiwar statements during the Yugoslav wars and held the first postwarconcert in Sarajevo as the first Serbian artist visiting war-tornBosnia and Herzegovina.
Controversy
Being actively involved in commenting society and being such ahigh-profile celebrity in countries of former Yugoslavia, it waseasy for Balašević to become controversial.
- In 1991, when Croatia and Slovenia were on the verge ofdeclaring independence from SFRY, he performed a song named 'Bluzza braću Slovence' (trans. 'Blues for Slovenian Brothers') where heopenly criticised Slovenesfor their plans to secede from Yugoslavia, going so far as to evenmake fun of them. Later he apologised for that song and his familyeven lived in Maribor forsome time.
- Some critics state that in his song 'Ne lomite mi bagrenje'('Don't Break my Locusts') released on his 1986 albumBezdan he was metaphorically speaking against Albanian terror over Serbsin the conflict on Kosovo.[2].Balašević later explained that 'it is not a song about ethnicities,but about good and evil, and I don't regret, I called the Evil itsfull name even when others praised it.'[3]. Laterin late 1990s he stated that 'I didn't know that Serbs would becomeShiptars to Shiptars. Thatturned around. We are the ones who break locusts now, but I can'ttake the blame for that'.[4]
- In 2006, after Montenegro declared independence from TheState Union of Serbia and Montenegro, Balašević's letter toMontenegrin Prime MinisterMiloĐukanović in which Balašević congratulates Đukanović on theindependence of Montenegro was published in Blic.[5]
- On December 17, 2008, Serbian newspaper Kurir published Balasević's statement from hisconcert in Domasinec, Croatia. Balasević, in his jokingly manner,said that he sings in Croatian which is his mother language. He also said that the onlyproblem is that he speaks a bad dialect of the Croatian language,which is known as Serbian. This caused furious reactionin Serbian public among some.[10][11]
Discography
WithŽetva
Singles
- 'U razdeljak te ljubim' / 'Srce mi je kao ratar' (1977)
With RaniMraz
Studioalbums
- Mojoj mami umestomaturske slike u izlogu (1979)
- Odlazicirkus (1980)
Singles
- 'Moja prva ljubav' / 'Kristifore crni sine..' (1978)
- 'Računajte na nas' / 'Strašan žulj' (1978)
- 'Oprosti mi Katrin' / 'Život je more' (1978)
- 'Panonski mornar' / 'Moja draga sad je u Japanu' (1979)
- 'Lagana stvar' / 'Prvi januar (popodne)' (1979)
- 'Tri puta sam video Tita' / Tri puta sam video Tita -instrumental' (1981)
Solo
Studioalbums
- Pub (1982)
- Celovečernji TheKid (1983)
- 003(1985)
- Bezdan (1986)
- Panta Rei (1988)
- Tri posleratna druga(1989)
- Marim ja.. (1991)
- Jedan od onih života (1993)
- Naposletku (1996)
- Devedesete (2000)
- Dnevnik starog momka (2001)
- Rani mraz (2004)
Livealbums
- U tvojimmolitvama - Balade (1987)
- Da l' je sve bilo samo fol? (1997)
Compilations
- Najveći hitovi (1991)
- The Best Of Vol. 2 (87 - 92) (1993)
- Ostaće okrugli trag na mestu šatre (2003)
Singles
- 'Ljubio sam snašu na salašu i druge priče' (1978)
- 'Hej čarobnjaci svi su vam đaci' / 'Hej čarobnjaci svi su vamđaci - instrumental' (1982)
- '1987.' / 'Poluuspavanka' (1987)
Tributealbums
- Neki noviji klinci i..(2007)
Books
- Računajte na nas - book of poems
- I život ide dalje - collection of columns
- Jedan od onih života - novel
- Dodir svile (1998) - book of poems
- Tri posleratna druga - novel
- ..i od dva-tri akorda (jer ni ne umem bolje ja..) -book of poems
- Kao rani mraz - screenplay for movie
References
- ^Janjatović, Petar. YU ROCKenciklopedija. http://balasevic.freeserverhost.com/index.php?page=biografija. (excerpt)
- ^(Bosnian)BH Dani 104, Focus (redactioncommentaries)
- ^(Serbian)Online interview withBalašević
- ^(Serbian)Interview with Balašević,reprinted from Draško Aćimović's book 'Džungla na Estradi'
- ^(Serbian)[1]
Externallinks
- (Serbian)Balasevic.com Balašević Internet fanclub
- (Serbian)Balasevic.net (ne)normalnibalasevicevci
- (Croatian)Balasevic akordi i tekstovi Balasevic akordi i tekstovi
- (Croatian)Balasevic.info www.balasevic.info
- (Serbian)Knjiga - Kao Rani Mraz Salayka
- (Croatian)Cuspajz.com Đorđe Balašević songlyrics
Music of Serbia - Serbian rock - Serbia in theEurovision Song Contest City Records - Bassivity - OneRecords - Komuna - PGP RTS
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Music of Yugoslavia - Popular music in the Socialist Federal Republic of Yugoslavia -YU Rock Misija- Eurovision SongContest Jugoton - PGP-RTB - Suzy Records - Diskoton - Založba kaset in ploščRTV Ljubljana - Jugodisk
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Title: Rani Mraz
Label: Hi-Fi Centar – 10273
Type: Cassette, Album
Country: Serbia and Montenegro
Date of released: 2004
Category: Rock
Style: Folk Rock, Acoustic
Size MP3 zip: 1699 mb
Size FLAC zip: 1776 mb
Rating: 4.8✭
Format: MP3 MPC AUD MIDI DMF TTA DTS WAV FLAC
Download links
(translation: '/Story about Vasa Ladački/ Music from movie that is not filmed')
Note that this release is actually credited 'Balašević' instead of 'Đorđe Balašević' on purpose, because author dedicated this release to his family, who helped him a lot.
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CD 10273 | Balašević* | Rani Mraz (CD, Album) | Hi-Fi Centar | CD 10273 | Serbia and Montenegro | 2004 |
| HRS-CD 111 | Balašević* | Rani Mraz (CD, Album) | Hard Rock Shop | HRS-CD 111 | Slovenia | 2004 |